James English - 14 April 2016 - Revisiting the "Great Divide”: The Past, the Future, and the Contemporary Novel

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Description:	James English (University of Pennsylvania): Revisiting the "Great Divide”: The Past, the Future, and the Contemporary Novel Conference Details Summary This interdisciplinary symposium seeks to expand and enrich our understanding of contemporary literary production. Moving beyond the traditional triumvirate of author, reader and text, we situate today’s fiction within a wider field, encompassing literary agents, editors, book reviewers, writing teachers, prize judges, festival organizers, and more. ‘Books in the Making’ brings some of the key players in the book trade into dialogue with academics from a range of disciplines, including literary and cultural studies, sociology, and the digital humanities. By creating new conversations between these too-often separate spheres, we consider the various ways in which books are made today. The symposium also explores the extent to which the book as a medium is now being ‘remade’ by new formats and technologies. By investigating these processes of making and remaking, we address a question that has not yet been posed systematically: that of the consequences for contemporary writing of ongoing changes in its production and dissemination. On Thursday 14th April the symposium will open at 6pm with a public event in Lady Mitchell Hall, organised in conjunction with the Cambridge Literary Festival, featuring the best-selling American crime writer Lee Child in conversation with Andy Martin. On Friday 15th the symposium will feature a plenary address from James English (University of Pennsylvania), author of The Economy of Prestige (2005), along with sessions bringing academics into conversation with publishing professionals to discuss three key aspects of the ‘making’ of contemporary literature: CREATION: This session expands the concept of literary ‘creation’ to include not just the act of writing, but related activities including the teaching of writing, the role and influence of literary agents, and the shaping of literary categories such as ‘the bestseller’. PUBLICATION: In this session, academics and members of the book trade consider the impact of current publication processes on contemporary writing. The conversation will involve both corporate and independent presses; print publishers and those whose business models are based upon new technologies. RECEPTION: This session reconsiders traditional questions of reading, evaluation and interpretation by connecting them to social and institutional contexts including literary festivals, book reviewing and journalism, and literary prizes.

Description:

James English (University of Pennsylvania): Revisiting the "Great Divide”: The Past, the Future, and the Contemporary Novel

Conference Details

Summary

This interdisciplinary symposium seeks to expand and enrich our understanding of contemporary literary production. Moving beyond the traditional triumvirate of author, reader and text, we situate today’s fiction within a wider field, encompassing literary agents, editors, book reviewers, writing teachers, prize judges, festival organizers, and more.

‘Books in the Making’ brings some of the key players in the book trade into dialogue with academics from a range of disciplines, including literary and cultural studies, sociology, and the digital humanities. By creating new conversations between these too-often separate spheres, we consider the various ways in which books are made today. The symposium also explores the extent to which the book as a medium is now being ‘remade’ by new formats and technologies. By investigating these processes of making and remaking, we address a question that has not yet been posed systematically: that of the consequences for contemporary writing of ongoing changes in its production and dissemination.

On Thursday 14th April the symposium will open at 6pm with a public event in Lady Mitchell Hall, organised in conjunction with the Cambridge Literary Festival, featuring the best-selling American crime writer Lee Child in conversation with Andy Martin.

On Friday 15th the symposium will feature a plenary address from James English (University of Pennsylvania), author of The Economy of Prestige (2005), along with sessions bringing academics into conversation with publishing professionals to discuss three key aspects of the ‘making’ of contemporary literature:

CREATION: This session expands the concept of literary ‘creation’ to include not just the act of writing, but related activities including the teaching of writing, the role and influence of literary agents, and the shaping of literary categories such as ‘the bestseller’.

PUBLICATION: In this session, academics and members of the book trade consider the impact of current publication processes on contemporary writing. The conversation will involve both corporate and independent presses; print publishers and those whose business models are based upon new technologies.

RECEPTION: This session reconsiders traditional questions of reading, evaluation and interpretation by connecting them to social and institutional contexts including literary festivals, book reviewing and journalism, and literary prizes.


Created:	2016-04-21 08:52
Collection:	CRASSH
Publisher:	University of Cambridge
Copyright:	Glenn Jobson
Language:	eng (English)
Keywords:	CRASSH; Books in the Making; James English;


Abstract:	James English (University of Pennsylvania): Revisiting the "Great Divide”: The Past, the Future, and the Contemporary Novel Conference Details Summary This interdisciplinary symposium seeks to expand and enrich our understanding of contemporary literary production. Moving beyond the traditional triumvirate of author, reader and text, we situate today’s fiction within a wider field, encompassing literary agents, editors, book reviewers, writing teachers, prize judges, festival organizers, and more. ‘Books in the Making’ brings some of the key players in the book trade into dialogue with academics from a range of disciplines, including literary and cultural studies, sociology, and the digital humanities. By creating new conversations between these too-often separate spheres, we consider the various ways in which books are made today. The symposium also explores the extent to which the book as a medium is now being ‘remade’ by new formats and technologies. By investigating these processes of making and remaking, we address a question that has not yet been posed systematically: that of the consequences for contemporary writing of ongoing changes in its production and dissemination. On Thursday 14th April the symposium will open at 6pm with a public event in Lady Mitchell Hall, organised in conjunction with the Cambridge Literary Festival, featuring the best-selling American crime writer Lee Child in conversation with Andy Martin. On Friday 15th the symposium will feature a plenary address from James English (University of Pennsylvania), author of The Economy of Prestige (2005), along with sessions bringing academics into conversation with publishing professionals to discuss three key aspects of the ‘making’ of contemporary literature: CREATION: This session expands the concept of literary ‘creation’ to include not just the act of writing, but related activities including the teaching of writing, the role and influence of literary agents, and the shaping of literary categories such as ‘the bestseller’. PUBLICATION: In this session, academics and members of the book trade consider the impact of current publication processes on contemporary writing. The conversation will involve both corporate and independent presses; print publishers and those whose business models are based upon new technologies. RECEPTION: This session reconsiders traditional questions of reading, evaluation and interpretation by connecting them to social and institutional contexts including literary festivals, book reviewing and journalism, and literary prizes.

Abstract:

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